The first question came before I started the interview; how to answer? Do I think about it for hours and come up with something deep and meaningful, or as a live interview, taking each question in turn and answering off the cuff. I stayed with the pre-set questions and answered off the cuff and published. There is an option to write your own questions, to unpublish, edit the answers and republish; effectively giving the chance of re-interviewing the author on a regular basis.
A couple of the questions made me think, asking me to reach back into the recesses of my memory for the first story I wrote and the first book that had a major impact; I tweaked the answers, I honestly don't remember the first story I wrote,and so many stories have made an impact it is difficult to choose the one which made the greatest.
Put something in front of me and I will read it, even the cereal packet at breakfast has been seconded as reading material. As a youngster I read very little fiction, apart from the weekly comics and Commando war stories (Kurt Langhers' name comes from a character in the Commando War Stories), Instead I devoured reference books and factual accounts. This may be why I prefer to write stories based in reality rather than science fiction, fantasy, or any other genre.
I was challenged to read a Mills and Boon romance after making disparaging comments and forced to admit I hadn't actually read one (Cautionary note; research first then open mouth). I was pleasantly surprised, a well crafted story in an enjoyable style. Judging by the number of romance novels sold and distributed through ebook channels the readers are not a community any writer would wish to hack off.
I digress, flying off at a tangent again. The upshot of the questions was a look at where The Grange came from, along with the inhabitants and visitors. The original idea was focused on an officially sanctioned security team based in the country house scenario, the shift to a freelance operation came slowly and by degrees.
The idea was kicked around and played with for the best part of twenty years before Iceline was written and back then Steel wasn't Steel and Josie was someone else too. Bill Jardine appeared with the house, and I really must find out how he came to be there. It feels like that sometimes, that the writing process is based on an interview with the characters, and every so often a new one appears, like a guest arriving for the week-end.
The Thirty Nine Steps, Casino Royale. Ice Station Zebra, Where Eagles Dare, The Eagle Has Landed are all part of a long list of books which have influenced me, and the authors; Ian Fleming, John Buchan, Alistair Maclean, and Jack Higgins. There are others, remembered for fragments rather than the whole story.
John Buchan's The Thirty Nine Steps is always a favourite, a simple plot of one man against the conspiracy with only his wits and stamina, unsure of who he can trust. I like the idea that he's a relatively ordinary man, given the period he may have had some military experience. Richard Hannay, a mining engineer had recently arrived from South Africa and grown tired of London, he is on the point of going back when his adventures begin.
Jack Higgins is different, "The Eagle Has Landed" was his breakout. He was advised to allow his characters to tell the story, not force them to fit the plot. "The Eagle Has Landed" was a massive success.
That idea: of letting the characters tell the story struck a chord with me. The first Grange Novel was the culmination of a long journey and arrived at a distinct way point (Twenty Five years service in post), and through a lot of forced planning and preparation, false starts and frustration. The more detailed the planning and preparation the greater the frustration. I was itching to get on with telling the story!
In NaNOWriMo terms I write by the seat of my pants, start at the beginning, usually with an end in sight and let the characters show me the way. Bare notes and jottings are the sum of my preparation, years of fighting the frustration ended in the local bookstore chatting about an interview with Philip Pullman. Who apparently admitted that he rarely planned his novels, and the one occasion he did the planning found he couldn't write the story because he had already done so.
Pieces fell into place with a battered laptop and printer and the determination, or desperation that it was now or never happen kick started a four month dash through a hundred thousand words and the first draft was finished by the second week in December 2002.
I struggled for years, frustrated by the detailed planning everyone said was involved and fighting the urge to throw it all away and sit down and write. I finally sat down, told the story and bounded through Iceline, and then I discovered NanoWriMo.
I'll talk about that another day...
